My ‘Hood

I was the fourth child, a son, born to parents that fought every evening as if it were a ritual without which they couldn’t go to bed. My father left us when I was seven. My mother did her best to make ends meet, but it was obvious that three jobs, paying minimum wage, were killing her. When I was twelve, my two older brothers were killed—One by a rival gang and the other by police. The grief soon killed my mother. My elder sister, who had been paying the bills with some help from the state, disappeared a year later. Some says she was a victim of sex trafficking, but I never came to know what had happened to her. There was nobody to pay the bills so I came to live on the streets. Every night, I took the last green train and slept on it; then I went to my ‘hood in the morning.

Art and Trade Fairs

I have always had mixed feelings about the art and trade fairs that pop up like mushrooms in Chicago and its suburbs, in fact all over the country, every summer. On one side, I am proud of the tradition and the cultural heritage they offer to their audience,but on the other hand I am frustrated by the overwhelming corporate presence in them.

Miniature Painting of India

The Indian sub-continent had a very rich tradition of miniature painting that was not only tied to kings, queens and lords of different kingdoms of the Indian sub-continent, but also had a strong connection with the architectural forms of the temples, mosques, palaces, and courtyards of the region.

Morality Based Education

Since the dawn of the industrial era and particularly after the Second World War, education became more career oriented. Its value as a job grabber and a mode for competition for industrial and corporate positions has increased tremendously. Gradually the process of providing values and morals, both worldly and religious, moved to the end of the list of objectives of education.

NATRAJA (The Lord of Dance) in The Art Institute of Chicago

Among these three representations of Shiva in The Art Institute of Chicago, Natraja is the most significant. One’s attention is drawn not only to its form but also to the symbolism it contains. This piece of sculpture is from the Chola Dynasty that ruled southern India from 800 to 1279 C.E. It is a brilliant icon and probably one of the best representations of Hindu art.